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My father was not a fisherman.”īong’s lie worked, and Weinstein allowed the fish scene to stay. I’m dedicating this shot to my father.’ It was a fucking lie. “I had a headache in that moment: What do I do? So suddenly, I said, ‘Harvey, this shot means something to me. The shot was a particular favorite of Bong’s and cinematographer Hong Kyung-pyo. Weinstein was allegedly hellbent on cutting a scene in which a train guard guts a fish in order to intimidate a group of rebels. Bong Joon Ho revealed in 2019 that the editing of “Snowpiercer” became contentious after Weinstein wanted to cut 25 minutes from the movie. Tarantino joins the long list of directors who fought against Weinstein’s cutting tendencies. If the torture scene suddenly went missing, it would create a lot of questions. In this essay, I analyze Tarantino's scoring of cinematic violence to assert its stress on an aesthetic of superficial, kinetic energy over affective or. Tarantino refused to let Weinstein cut the torture scene, and he won his case by reminding Weinstein the film had already played at festivals and stirred up buzz for the scene. The pop music scoring for Quentin Tarantino's ear-torture scene in his Reservoir Dogs has served as a defining moment for both Hollywood ultraviolence and the role of the song in cinema.
![reservoir dogs ear scene reservoir dogs ear scene](https://64.media.tumblr.com/8690f033df1460362cb8d97a955e05a4/tumblr_mh54oaTzna1qbvn8yo4_r1_250.gif)
Weinstein was infamous in Hollywood for forcing edits on his directors, earning the nickname “Harvey Scissorhands” over the years.
#RESERVOIR DOGS EAR SCENE MOVIE#
Kevin Smith: Weinstein Cut 'Good Will Hunting' Release Short to Screw with Robin Williams' DealĬould Tarantino's Next Movie Not Be His Last? He Says 'Kill Bill 3' and a Spaghetti Western Could HappenĮmmy Predictions: Best Limited Series - Was It 'The Queen's Gambit' All Along? “And, that’s kind of actually where I became me, because Harvey was used to winning these type of arguments.” But without that scene, anybody can go and see this movie and everybody will enjoy it,'” Tarantino said. So you’re literally putting your own movie in a little box. But with that torture scene, you’re gonna alienate women they’re not gonna wanna see this. “His reasoning was, ‘Look, Quentin, this is a movie that anybody can watch. Blonde (Michael Madsen) tortures a police officer (Kark Baltz) by slashing his face and cutting his ear off (all set to Stealers Wheel’s “Stuck in the Middle with You”), is the film’s most famous sequence. John Travolta and Michael Madsen came back together last year on the race car film ‘Trading Paint’ where they had some fun with the idea of being brothers, said the actor.Quentin Tarantino revealed during his appearance on “The Joe Rogan Experience” this week that his working relationship with Harvey Weinstein got off to a rocky start once Miramax became the distributor of his feature directorial debut “Reservoir Dogs.” Weinstein allegedly wanted to remove the film’s torture scene, which Tarantino admitted always led to walkouts during “Reservoir Dogs” film festival screenings.
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It could never materialise, however, as too much time passed and Quentin Tarantino got busy with other films. It was very complicated, but when Quentin starts discussing an idea, it's very easy to go along with it,” said Madsen. "He had come up with this idea that it would be the twin brothers of Vic and Vincent, who met after the deaths of their siblings. And we open up a club in Amsterdam." In Pulp Fiction, Vincent Vega says he just returned to Los Angeles from Amsterdam. "The picture was going to start out with the two of us being released from prison in different states. "We were supposed to be in Amsterdam, criminally," says Madsen of Tarantino's thoughts. Tarantino discussed the brothers project, which was to be a prequel, a number of times with the duo, Madsen said. The criminal brothers were shot to death in their respective films. In 1994's ‘Pulp Fiction’, John Travolta played Vincent Vega, a role that helped boost life into his career.